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zeroing:

Mohammadreza Momeni

thekhooll:

High Tauern National Park

Photography by Daniel Büttner is all about being natural… and grand. His photos taken in High Tauern National Park are simply stunning!

(via naturama)

roscoff-quotidien:

Marée haute et marée basse en Grande Bretagne

high tide and low tide in great britain. photographs by michael marten

awkwardsituationist:

 

likeafieldmouse:

Andrea Galvani

kateoplis:

“I fell in love with my planet. This work is not about landscapes.

It is about love.”

Sebastião Salgado

nicotinengravy:

In 1896 Walter McClintock  traveled west as a photographer for a federal commission investigating national forests. McClintock became friends with the expedition’s Blackfoot Indian scout, William Jackson or Siksikakoan. When the commission completed its field work, Jackson introduced McClintock to the Blackfoot community of northwestern Montana. Over the next twenty years, supported by the Blackfoot elder Mad Wolf, McClintock made several thousand photographs of the Blackfoot, their homelands, their material culture, and their ceremonies.

(via thegiftsoflife)

sepfo:

The road to Hornhead, Co. Donegal, Ireland. 

(via modul)

pakizah:

Marchand de cages à oiseaux (by Jean-Paul GALICHET)

pakizah:

Marchand de cages à oiseaux (by Jean-Paul GALICHET)

(via modul)

pakizah:

An Afghan youth sharpens a pair of scissors in a roadside shop in Kabu.  (Punit Paranjpe/AFP/Getty Images) 

pakizah:

An Afghan youth sharpens a pair of scissors in a roadside shop in Kabu.  (Punit Paranjpe/AFP/Getty Images) 

(via modul)

pakizah:

Bamiyan, Afghanistan
Steve McCurry

pakizah:

Bamiyan, Afghanistan

Steve McCurry

(via modul)

pakizah:

Afghanistan
Steve McCurry

pakizah:

Afghanistan

Steve McCurry

(via modul)

pakizah:

Women clad in burqas walk past a tree in Bagram, north of Kabul, on Jan. 3. Ahmad Masood/Reuters

pakizah:

Women clad in burqas walk past a tree in Bagram, north of Kabul, on Jan. 3. Ahmad Masood/Reuters

(via modul)

(via exposednipple)

likeafieldmouse:

Richard Mosse - Nomads (2009)

“The monumental images in Nomads, taken with a large-format camera in the Iraqi desert, show cars so riddled with bullets that only their mangled shells are left. Both series are self-conscious about the limitations of reportage – the destroyed cars left abandoned on the field of battle don’t attempt to picture the war’s immediate drama, but they do evoke its human victims.

Mosse sees his work as operating between the two poles of contemporary art and photojournalism: ‘The documentary photographer has a terribly difficult life compared with the conceptual artist. But, like Prometheus and Loki, we’re both tied to the same rock.’”

THEME BY PARTI